...Can't keep up with the various threads, but has anyone talked about the plot of "Te Amo" yet? This is what I wrote on Lex's thread:
Has anyone talked about how "Te Amo" seems to be about Rihanna being hit on by a woman in a club and cautiously kind of going with it? "Just watch your hands!" Or is she singing from the perspective of the boyfriend?
Story seems to be that Rihanna is in the club, dancing casually with a woman, and then at some point the woman puts her arms around Rihanna's waist and whispers "Te Amo." Rihanna understands that the woman is lonely but she can't love her the way the woman loves Rihanna. So she keeps dancing with her, but wants the woman to be sure that she keeps her hands down -- I'm not going to run away, but don't touch me like that.
It's kind of heartbreaking and complicated! I just wish the main conceit worked better -- Rihanna pretending like she doesn't know what "te amo" means, which I find incredibly hard to believe. She could have just as easily just used "te amo" without the "won't someone please tell me what it means" thing, which seems to be beside the point of the song anyway. Like, what does her saying "I love you" do to change what's actually happening here?
I'm becoming less and less convinced that this could possibly be anything but Rihanna's flirtation with, or at least empathy for, another woman's crush on her, btw, as the song makes less sense if Rihanna is somehow the "man" in a hetero relationship...
November 19 2009, 19:43:27 UTC 2 years ago
It's a weird inversion of "I Kissed A Girl", actually: Katy Perry is a straight/bicurious girl who kisses another girl, but from the evidence of the rest of the lyrics doesn't really feel anything for her. Whereas here, you hear how Rihanna cares deeply for the girl and her loneliness, but doesn't kiss her...
November 20 2009, 03:03:50 UTC 2 years ago
November 19 2009, 19:47:28 UTC 2 years ago
But we should have, because it is heartbreaking and complicated! And a way more nuanced, respectful, realistic examination of female sexuality than I would have expected from pop music. (Maybe Rihanna could give her friend Katy a lesson.)
I think the "te amo" conceit totally works. The language barrier is a stand-in for the bigger barriers between them -- they don't really understand each other, they can't really provide what the other wants, even if Rihanna knows perfectly well what's going on. And Rihanna does know perfectly well what's going on: "Don't it mean 'I love you'? I think it means 'I love you.'" She's not pretending she doesn't know what "te amo" means, she's looking for help from someone who knows better than she does. She's asking because there's a difference between knowing and knowing. Rihanna knows what the girl is saying, but she doesn't know. This isn't a language Rihanna speaks.
November 19 2009, 20:16:56 UTC 2 years ago
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November 19 2009, 20:28:21 UTC 2 years ago
November 19 2009, 21:51:06 UTC 2 years ago
Although, actually, no, that's not working for me. If they were friends, why wouldn't Rihanna just ask her what "te amo" meant, instead of turning to whoever else is in the room? I also don't see her reaffirming the depth of their friendship -- all she affirms is that she isn't afraid, and won't run away -- and I don't get the impression that this relationship is going to last beyond this night, this club, this beach. Every time we see what the girl is doing, she's pulling or holding Rihanna somewhere (taking the lead as they dance, putting her hand on Rihanna's waist, pulling her out onto the beach, begging her to stay, and Rihanna has "no choice" but to hold her hand and then has to tell her to let go) while we see Rihanna trying to put distance between them (telling the girl not to touch her like that, telling the girl to let her go, trying to walk off the beach, telling the girl she doesn't feel the same way). Both verses end on "it's over," the bridge ends on "I don't feel that way."
Rihanna clearly doesn't dislike the girl, and wants the girl to know she's not afraid of or disgusted by her, but nothing in the song indicates that they're particularly close, or that they're going to be close in the future.
November 19 2009, 20:24:30 UTC 2 years ago
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November 19 2009, 20:41:47 UTC 2 years ago
November 19 2009, 20:44:16 UTC 2 years ago
"Listen we can dance, but you gotta watch your hands. Watch me all night, I'll move under the light because I understand that we all need love, and I'm not afraid. I feel the love but I don't feel that way."
Enter massive handclaps as we start DANCING WITH THEM. GAH this is like a seriously amazing song.
November 19 2009, 20:45:12 UTC 2 years ago
November 19 2009, 20:46:57 UTC 2 years ago
When I said murder on the dancefloor...
OK, number of times that murder/killing in some form is committed on this album: "Russian Roulette," "Fire Bomb," "Cold Case Love" (chalk outline) "Last Song" (this is the last song you'll ever hear). Any others?November 19 2009, 21:27:03 UTC 2 years ago
Re: When I said murder on the dancefloor...
Busy listening to "Te Amo" on repeat, but do they actually kill anyone in "G4L"?2 years ago
November 19 2009, 20:47:45 UTC 2 years ago
November 20 2009, 05:59:10 UTC 2 years ago
I also can't decide if the line in Te Amo is "I tell I'm not gon' run away, but let me go" or "I tell her I not go 'round that way, just let me go"
I hear, "I told her I never run away, but lemme go."
November 20 2009, 14:43:40 UTC 2 years ago
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November 20 2009, 18:40:12 UTC 2 years ago
The one interesting thing about this is that it was written by James Fauntleroy, apppparently originally as a song for him before he gave it to Rihanna.
His version: http://www.youtube.com/watch?v=B7om4wlr
So it wasn't written with the lesbian angle in mind, I don't think. It's a song about meeting a girl in a club who falls in love with him and then they go to a beach and he keeps trying to let her down easily because he likes her and his "soul hears her cry" but he doesn't want to/can't acknowledge what "te amo" means because then he has to actively confront the awkward "you're cool but i'm just not that into you conversaton." by virtue of both leaving the song with its originally gendered lyrics and by virtue of the fact that she's simply a better performer, rihanna injects a great deal more nuance and emotion and complexity into the piece. Especially given that she didn't originally write it, the decision to present this as an incident between two women is very clearly intentional, i think.
also, the beat to this is great. it's somehow both up at the front of the track and a million miles away, lost in a jungle.
Anonymous
November 20 2009, 19:43:12 UTC 2 years ago
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November 20 2009, 22:25:28 UTC 2 years ago
The second interpretation is the one I'm hearing in the song's melancholy, even though the first one might make more sense to the narrative. Though both "make sense" strictly speaking and I love the idea that she, almost automatically, says "te amo" back without totally knowing what it means (literally or metaphorically).
November 21 2009, 01:58:22 UTC 2 years ago
November 21 2009, 03:43:06 UTC 2 years ago
Anonymous
January 17 2011, 16:05:24 UTC 1 year ago
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